John Murillo’s second book is a reflective look at the legacy of institutional, accepted violence against Blacks and Latinos and the personal and societal wreckage wrought by long histories of subjugation. A sparrow trapped in a car window evokes a mother battered by a father’s fists; a workout at an iron gym recalls a long-ago mentor who pushed the speaker “to become something unbreakable.” The presence of these and poetic forbears—Gil Scott-Heron, Yusef Komunyakaa—provide a context for strength in the face of danger and anger. At the heart of the book is a sonnet crown triggered by the shooting deaths of three Brooklyn men that becomes an extended meditation on the history of racial injustice and the notion of payback as a form of justice.
Abandoned by her hustling father, raised by her devoted mother, then battered by the winds of loss, heartbreak, and sexual assault, Nikki Murphy exposes the undercurrents of resilience and faith that undergird success in this riveting memoir-in-verse.
Home for Hurricanes provides a sobering portrayal of both the jubilance and hardening of Black girls emanating from the ghettos, and Murphy celebrates their resolve to build free and whole lives.
In her debut poetry collection, Murphy lays bare the impact of rape culture, examines notions of innocence and responsibility, and invites readers to witness her hard-fought journey to find healing, love, and gratitude.
No matter where you are in weathering the storms of trauma, you will be reminded you are built to withstand.
Poetry. Jewish Studies. "Writing about the Holocaust can be difficult now, not that it was ever easy. It has become myth or something people use as a metaphor for something they object to; those who know, who went through it, are dying off. Those who deny what happened multiply. To make fresh powerful poems rooted in Shoah is amazing."—Marge Piercy
“This Selected group of poems illuminates some harsh realities regarding identity. There are poems that smack a consciousness sideways. The poems have a real grit to them. For the reader, each poem will be an eye-opening experience.” –Poet/Professor Stanley E. Banks, Blue Beat Syncopation (Bookmark Press)
“With sharp and incisive language, each piece provides an immersive moment, inviting the reader into the experience of growing up half Cherokee, of self-harm and losing friends, of teaching and aging and loving and living in the Pacific Northwest. Nothing is veiled, nothing is alluded to, and their humor is ever-present, wry and witty. Any writer who begins a poem with My psychologist says (don’t you love when poets start like this?) has levels of self-awareness and genre savvy that speak to years of dedication to identity and craft.” –Brenna Crotty, Editor, Selected Poems
As you delve into this poetic and photographic masterpiece, you are in for an inspiring double journey into the mysteries of Love and life. Outwardly you will travel through New England via the visual images of the mountain vistas, the riverbanks, and the coastlines. This stunning visual imagery captures all four seasons in New England as well as the whole diurnal and nocturnal span.
Ryan Meyer departs from the horror themes of 2018's Haunt in his new collection of poems, Tempest. He explores fear, hope, and self-identity through striking fictional vignettes and surreal personal accounts. Tempest is thus a marriage between the dichotomies of musical, rhythmic poetic dialogue, and the deeper, innate anxieties that accompany change. Discover your truest self and brave the Tempest.
"Unbecoming" is a collection of poems that takes you on a healing journey through toxic relationships, mental illness, and social conditioning. With colors and foliage inspired by the author's adventures through Texas parks, each page is a reminder of the beauty to be found, even in unlearning.
Clouds: love poems from above the fray has been a project of over four decades, containing poems influenced by Meyer’s traveling to 5 continents, giving lectures, and witnessing beautiful vistas in towns, cities, and above all, in nature. Thousands of the resulting photos are now contained in Meyer’s archive. He wrote over 700 five-line quintain poems down, from which he paired 64 with these photos for Clouds. The style evolved into short, post attention span poetry, i.e. quintains, that illustrate the inner and outer states of our environment. Opposite the poems, Meyer notes the adventure of finding the visual image.
An Emotionally Raw Portrait of Transformation That is Absolutely Inspiring!
Prepare to be whisked away on a colorful and imaginative journey of self-love, transformation, inner-strength, and healing, as poet Kyli Santiago details her inspiring, heartfelt story of survival that will leave every reader feeling uplifted and empowered with a sense of hope for the future.
Expressed in a lively combination of free-verse, rhyme, and rhythmic-flow, Healing Yesterday’s Tears gives you firsthand witness to Kyli’s silent struggle with mental health and her ultimate triumph over this lifelong battle -- undoubtedly affecting you on the deepest level, as feelings of liberation, renewal, power, and strength ignite within you.
Regardless of your journey, this inspiring portrait of transformation can help you rise above hard-hitting issues such as emotional abuse, low self-image, thoughts of suicide, depression, feeling unloved, and much, much more.
Aunt Bird is an astonishing, hybrid poetry of witness that observes and testifies to social, political, and historical realities through the recovery of one life silenced by the past. Within these pages, poet Yerra Sugarman confronts the Holocaust as it was experienced by a young Jewish woman: the author’s twenty-three-year-old aunt, Feiga Maler, whom Sugarman never knew, and who died in the Krakow Ghetto in German-occupied Poland in 1942.
In lyric poems, prose poems, and lyric essays, Aunt Bird combines documentary poetics with surrealism: sourcing from the testimonials of her kin who survived, as well as official Nazi documents about Feiga Maler, these poems imagine Sugarman’s relationship with her deceased aunt and thus recreate her life.
For award-winning poet James Fujinami Moore, the past is never past. In this brutal debut, sensual, political, and imagined worlds collide, tracing a history of diaspora and trauma that asks: what do we do in the aftermath of violence, and why do we long to inflict it? From Vegas boxing rings and the restless sands of Manzanar to the scrolling horrors of a Facebook feed, Moore’s poems trace over intimate details with surprising humor, fierce eroticism, and a restless eye.
In the Aftermath- 9/11 Through a Volunteer's Eyes, commemorating the 20th anniversary of 9/11 in September 2021, is a journey through the author's experience working at the WTC Ground Zero Relief Project, Spring Street Warehouse that procured and delivered supplies to the first responders and recovery crews at Ground Zero clean-up and recovery sites. The journey continues on to the present with memories of people whose lives were impacted by the horrors of 9/11: those who died, those who restored, those who mourned, those who volunteered, those who survived. Those who prayed. Recipient of the 2021 Pinnacle Award for Poetry and an Eric Hoffer 2022 award finalist.
A posthumous collection, Midflight collects the poems written by beloved science editor and journalist David Corcoran in the latter part of his life. Idling in a space between the pastoral and the ordinary, Corcoran’s lyrical world maps the sublime mundanity of nature while exploring memory, dreams, and consciousness itself. Corcoran’s lines abound with figures living and long deceased, with the dead walking onstage as if they never left.
"My Body Lives Like a Threat "is a deep exposition of gender and color-based discrimination, sexual and reproductive rights violations, body politics, immigration, and the impact of a toxic political environment on the country and its people. The full length has been divided into five sections namely "Black Truth", "War and Peace", "My Body is Not an Apology", "A Just Immigration Policy" and "My Body Lives Like a Threat" that deals with the poems reflecting the blatant violation of human rights and the systemic oppression of the people of color in this country and around the world. The book reflects how body politics never remains at an individual level but molds and morphs into a social monster birthing problem like human rights violation, immigration, gun violence, and racial discrimination.
Rewriting Eden, Victoria Redel interrogates the idea of paradise within the historical context of borders, exile, and diaspora that brought us to the present global migration crisis. Drawing from a long family history of flight and refuge, the poems in Paradise interweave religion and myth, personal lore and nation-building, borders actual and imagined. They ask: What if what we fell from was never, actually, grace? What is a boundary, really? Redel navigates geopolitical perimeters while also questioning the border between the living and the dead and delineating the migrations aging women make in their bodies and lives.
An introspective lyric on how the opiate crisis alters families and futures. In her debut collection, Reliquary, Abigail Wender addresses losing a brother to prison and, ultimately, opiate addiction. The text also considers womanhood, motherhood, and marriage in lyric poems that confront the complicated nature of grief, the effects of illness on family, and how love-even bliss-figure into grief's equation. The collection suspends time, as the speaker weaves between flashbacks and the present, assembling fragments and vignettes of her childhood and marriage.
The Land of the Dead Is Open for Business is an extended elegy for Jacob Strautmann’s home state of West Virginia and its generations of inhabitants sold out by the false promise of the American Dream. Throughout the book, voices rise up from the page to describe a landscape eroded and plundered by runaway capitalism—its mountain tops leveled by the extractive industries, its waters polluted by runoff from mines—and the fallout from that waste. Those who remain are consigned to life in a ravaged land denuded of nature where birds die and “Sheep / birth limp two-headed things and some / that speak like men if they speak at all.”
In The Newest Employee of the Museum of Ruin, poet Charlie Clark interrogates masculinity, the pastoral, the lasting inheritance of one’s lineage, and the mysterious every day. His speaker, ever aware of impending ruin, experiences a landscape colored by anxiety. But his speaker is also self-aware, curious and trying to refrain from too much self-judgement: “I am sorry / for this cruel wish, but I want my life to outlast / bitterness.” The speaker turns over and over the materials of culture, asking what pleasure it creates, replicates, diminishes, or destroys.
Inspired by the works of Maya Angelou, Tupac Shakur & Langston Hughes, Through Blood & Becoming is a raw, and authentic poetry collection about a woman's experience with childbirth, postpartum depression, and motherhood. This collection takes you on a journey through fear, sadness, and depression to relief, resilience, and becoming. In this collection, author/poet Rae Scott shares her birth stories and tackles important but unconventional topics such as postpartum depression, miscarriage, and stillbirths from a black woman's perspective in an effort to advocate for advancements in the maternal health care system.
This collection of Jessica Mehta's powerful, beautiful, vulnerable work spans "from dates so long ago I can't even recall" to her most current poetry in the midst of a pandemic. Her poems call our attention to the unsung disappearance of Indigenous women, the cultural genocide that still continues, the eating disorders that consume us from within, and to love, family, and the courageous choice to see the world from a different angle in the face of death.
A cancer diagnosis in March 2018 prompted Douglas Wyant to write the prayer-poems collected in A Pilgrim's Prayers. His short, sincere prayers were written in response to the Scripture he read during his recuperation from surgery and chemotherapy.
Wyant says, "I hope A Pilgrim's Prayers will encourage my fellow pilgrims in their walk with the Lord, especially through adverse circumstances."
AND WRAP YOUR ARMS AROUND LIVING. Six words that represent the heart and soul of a poetry collection by acclaimed novelist and artist Mark Graham. Inspiring, truthful, challenging. One hundred and ten poems that pull no punches exploring the journey each one of us faces in pursuit of the illusive, often tumultuous goal of living life successfully. One day a massive struggle, the next a glorious celebration, but always forward. One day crashing and burning, the next reveling in the gifts of the world, all the while employing every tool in the toolbox we call life.
This volume of poetry includes poems which express experiences where conflict has occurred. Conflict may arise from misunderstanding, historical grievances, struggles over control, power and money. Conflict may be borne out of righteous resistance.
Conflict can spur change, pivot positions, leverage negotiation. Conflict within oneself and within personal relationships can be a catalyst for growth. My sincere hope is that you, the reader, find some points of contact with my writing and with my son Denali Schmidt’s artwork, to navigate further into your own life experiences.
May describes the magical journey of adolescence against the background of Holland’s flowery dunescapes. In strokes of wonder-filled impressions a stunningly unspoiled girl, May, explores the promise of springtime and the intense spiritual life of youth. However, the cycle of life always moves on, and as May matures and returns to earth, she finds it readying for summer.
When Herman Gorter published May (Dutch: Mei) in 1889, this spontaneous and vibrant epic poem was immediately recognized by his peers as a landmark of Dutch literature. Inspired in part by John Keats' Endymion (1818), May was perhaps an inevitable product of the artistically revolutionary and highly lucid spirit in The Netherlands of the 1880s. While Gorter’s contemporary, Vincent van Gogh, had just completed the groundbreaking Sunflowers series of paintings, Gorter succeeded with May in composing his own monument of colourful and innovative power.
Author Esteban Rodriguez writes, "In SCALE MODEL OF A COUNTRY AT DAWN, John Sibley Williams illuminates a world that while filled with tragedy and ruin is likewise blooming with life and celebration.... Although in the course of this collection we may come to realize that there are 'far fewer gods' than we thought before, Williams's poems are a gift that offer us something to believe in again and again."
Scarlet Secrets is Christie Leigh’s second collection of poems. This is a book about desire, heartbreak and times of metaphorical wilderness in our lives, and those dreams kept private in the deepest part of the soul. This collection echoes the longing to continually live your life passionately in a bright red: Scarlet to be exact!.
With lines that carry the musicality of a city jazz club at night and soulful love songs playing on your stereo, Scarlet Secrets is also about the greatest aspects of this life we live and what gets many of us up for that bright sunrise each morning.
A collection of poems that range from expressions of gratitude for the gifts of nature, to musings about aging and the fragility of life, to insights about women's issues and concerns, to observations about the complexities of family dynamics, to reflections about writing and therapy.
Pine maps a secret relationship between two women in the South, where certain kinds of desire--queer desire, in particular--have historically been hidden and feared. Creating new landscapes of identity by reimagining form, modifying villanelles, sonnets, elegies, thank-you notes, and dictionary entries, Pine's imagistic and metaphorical associations between the body and the natural world form a queer ecology of longing and loss.
A Sky Full Of Wings is a compelling and heartwarming collection that delves into the themes of journeying, home, ancestral land and circle of life. Personal experiences are interwoven with family history, highlighting journeys -- both physical and psychological -- that are encountered along the way. Individual poems received honorable mentions in the 45th New Millennium Writing Awards and the Rochester Writers Margo Lagattuta Award Contest. The book was selected as a finalist in the 2020 New Women's Voices Chapbook Competition.
On the brink of climate catastrophe, a mother grappling with her choice to bring children into an apocalyptic world sends her daughters into the woods of fairy tale as a rite of initiation. The woods carry her fears of extinction--devastating fires, rising seas, and the predatory dangers of girlhood--but also contain the transformative magic of love, interdependence, and renewal. AND IF THE WOODS CARRY YOU roots into the wild heart of motherhood, where worry and wonder intertwine.
Dustin Brookshire, a finalist for the 2021 Scotti Merrill Award, is the founder/editor of Limp Wrist and curator of the Wild & Precious Life Series, a Zoom based poetry reading series. He is the author of the chapbooks Love Most Of You Too (Harbor Editions, 2021) and To The One Who Raped Me (Sibling Rivalry Press, 2012). Dustin’s work has been nominated for a Pushcart Prize and been published in Assaracus, Whiskey Island, Mollyhouse, The West Review, Oddball, Gulf Stream Magazine, Redheaded Stepchild, SubtleTea, Ocho, Oranges & Sardines, Ouroboros, Qarrtsiluni, Blue Fifth Review, and other publications. He has been anthologized in Divining Divas: 100 Gay Men on their Muses (Lethe Press, 2012) and The Queer South: LGBTQ Writes on the American South (Sibling Rivalry Press, 2014).
In his landmark debut, Carlos Andrés Gómez interrogates race, gender, sexuality, and violence to explore some of the most pressing issues of our time. These poems address the complexities and nuances of toxic masculinity, assimilation, homophobia, and the joy and anguish of trying to raise Black children in America. Gómez casts an uncompromising eye toward both brutality and tenderness, going where we are most uncomfortable and lingering in moments of introspection that reveal fear, grief, or hatred. Birthed at a breaking point, these poems carve open silence, revealing fissures that welcome the light. Unflinching, poignant, and powerful, Fractures is both a gut punch and a balm.
"An unflinching reckoning with the traumas of one's life and those inherited through a history of exacted injustices "Some men find nothing, and others/ find omens everywhere," writes C. Dale Young in Prometeo, a collection whose speaker is a proverbial "child of fire." In poems that thrive off of their distinct voice, the speaker confronts generational and lived trauma and their relationship to his multi-ethnicity. We are presented with the idea of the past's burial in the body and its constellatory manifestations-both in the speaker and those around him-in disease and pain, but also in strength and a capacity for intimacy with others and nature. Grounded in precise language, Young's examination of the past and its injuries turns into a celebration of the self. In stark, exuberant relief, the speaker proclaims "...I was splendidly blended, genetically engineered/ for survival." Resilient, Young's poems find beauty in landscape, science, and meditation"
An energetic exploration of the expanse of language translated and otherwise transformed
In Renditions Reginald Gibbons conducts an ensemble of poetic voices, using the works of a varied, international selection of writers as departure points for his translations and transformations. The collection poses the idea that all writing is, at least abstractly, an act of translation, whether said act “translates” observation into word or moves ideas from one language to another. Through these acts of transformation, Gibbons infuses the English language with stylistic aspects of other languages and poetic traditions. The resulting poems are imbued with a sense of homage that allows us to respectfully reimagine the borders of language and revel in the fellowship of idea sharing. In this tragicomedy of the human experience and investigation of humanity’s effects, Gibbons identifies the “shared underthoughts that we can (all) sense:” desire, love, pain, and fervor.
The first-ever poetry book set on a llama farm, Daniel Lassell’s debut collection, Spit, examines the roles we play in the act of belonging. It is a portrait of a boy living on a farm populated with chickens sung to sleep by lullaby, captive wolves next door that attack a child, and a herd of llamas learning to survive despite coyotes and a chaotic family. The collection in part explores the role of the body in health and illness and one’s treatment of the earth and others. A theme of spirituality also weaves throughout the collection as the speaker treks into adulthood, yearning for peace amid the decline of his parents’ marriage. Driven by a “wish to visit / some landless landscape,” the speaker eventually leaves his family’s farm, only to find that return is impossible. After losing the farm and the llama herd to his parents’ divorce, the speaker wrestles with the role of presence as it relates to healing, remarking, “I wish enough, / to have only // these memories I have.” Unflinching at every turn, the collection pushes the boundaries of “home” to arrive upon new meaning, definition, and purpose.
“What Happens is Neither/ the end nor the beginning. /Yet we’re wired to look for signs,” offers the speaker of Angela Narciso Torres’ latest collection, which approaches motherhood, aging, and mourning through a series of careful meditations. In music, mantra, and prayer, Torres explores the spaces in and around grief—in varying proximity to it and from different vantage points. She writes both structurally formal poems that enfold the emotionality of loss and free verse that loosens the latch on memory and lets us into the sensory worlds of the speaker’s childhood and present. In poems set in two countries and homes, Torres considers what it means to leave a mark, vanish, and stay in one place. In a profound act of recollection and preservation, Torres shows us how to release part of ourselves but remain whole.
Stifled creativity. Midlife mediocrity. Explore nitty-gritty struggles as viewed through the lens of whiskey, beer, and down-to-earth verse.
Any man might turn to his neighborhood bar after misfortune pays a visit. But when oppressive jobs, self-loathing, and a tall glass of liquid comfort strike at an artistic soul, they can trigger something truly unique. In this straightforward set of poems, a blue-collar guy stuck in a white-collar life brings the average joe’s daily frustrations to life in a raw and tongue-in-cheek voice.
In her exploration of the multiverse theory, Alvarez deals with several griefs created by the loss of two pregnancies, a beloved granduncle, her infant son, and finally her father, in the span of just four years, by constructing multiple alternate realities in which one or more of these people survived. In this process, Alvarez deals frankly and sometimes even starkly with death and its consequences on individuals and families. The book directly addresses the questions that plague many people who grieve: What if I had done this instead of that? Would it have mattered? Is there such a thing as fate?
"It's not often you see a whole life that's gone into a book, but here we have just that. Janice Northerns lives this life intensely, and lives intensely in language. At the core of this book are the raw elements of birth, love, and death; while surrounding them are sophisticated yet impassioned readings of the violence of history, class, and social codes. These are poems to be read both largely and closely, for the stories they tell, and for their turns of poetic craft. You don't just read this book, you enter it." —William Wenthe
Can toxic family secrets ever be forgiven or forgotten? J.E. Rome’s raw, visceral poetry is a personal and chronological journey through the hell of growing up in a dysfunctional family where when bad things happen, there’s no one to blame but yourself. Rome faces the skeletons in the closet head on: from childhood trauma, abuse, and parental neglect to the soul-ravaging effects of poverty and addiction.
Graphic and hard-hitting, this unforgettable memoir, structured as a collection of poems, takes you through the darkest places of the human heart to the light of hope and truth.
The Keeping is a heartfelt collection that explores growing up in rural Oklahoma, engaging with the natural world, and paying tribute to women. From the very first poem entitled "Our Mothers Would Not Let Us Watch," Linda Neal Reising casts the reader into the landscape of her childhood, a rural part of Oklahoma, where the lead and zinc mines played out years before, leaving "those gaping mouths that never swallowed." She goes on to people the landscape with characters--a father who went to school with Mickey Mantle in "No. 7 and Other Heroes," a cousin convinced he is being hunted by the "F.B.I., C.I.A., Russians," and teenagers attempting to navigate adolescence during wartime, concerned with being "faroutgroovyheavyman." Intertwined in this section is the author's Native American roots.
Elizabeth Joyce struggled with tumbling thoughts for decades, but only after a year of psychotherapy did she realize her inability to rein in her mind was a result of multiple anxiety disorders and bouts of Major Depressive Disorder. In tumbling: poetic thoughts from an anxious mind Elizabeth invites us to explore the intimate thoughts tumbling around in her anxious mind through a collection of poetry and prose written throughout her life. She packs a powerful arc into the short, chapbook-size collection, touching on her darkest moments and culminating in her ultimate hope.
Anyone struggling with their mental health will appreciate this impactful read as an affirmation they are not alone, and those with loved ones who struggle with mental illnesses will get a glimpse into their world. In sharing her story as a child, friend, spouse, and parent who struggles with anxiety, Elizabeth's true hope is to chip away at the long-standing stigmas surrounding mental health by raising awareness and understanding.
Finalist Poetry: Contemporary 2021 Best Book Awards
Enlightened Continuum, the third and final book in the Lake Parking Trilogy, is a collection of lanturne poems that when written on the page look to be in the shape of lanterns in using their 1-2-3-4-1 syllables per line structure. A trio of lanturnes are used to illuminate each of the 249 topics. The book is about youth and their search for understanding, their inquisitive nature, their desire to conquer, and sometimes being trampled upon. It draws upon the dark and light of life, taking notice of ideas both small and large. It is a way of working toward balance. These poems are food for thought, combining the yesterday and today as indicators of tomorrow's trajectory.
Finalist Poetry: Contemporary 2021 Best Book Awards
"My intention was to 'peek' at I Wish My Father, but I couldn’t put it down, and after the last poem, I started again from page one and read to the end. This collection is so moving and plain-spoken, that the careful attention to the ingredients of sound and prosody baked into each line might go unnoticed, which is what we, as poets, hope for. I got to know the author’s dad in all his humanity; he is now part of my family. A wonderful companion to I Carry My Mother; in both volumes, Newman captures the moods and personalities beautifully". —Richard Michelson, author of More Money Than God
Finalist Poetry: Contemporary 2021 Best Book Awards
From a talking pigeon to a mirror that sees all, Notes on the Train brings you closer to the author’s struggle with depression and change through the landscape of life. Not all battles are fought with weapons of war. Some battles rage within the mind and soul and take no prisoners. This book is a collection of poems and prose written by the author on her journey of self-discovery.
Finalist Poetry: Contemporary 2021 Best Book Awards
Illuminating the heart's journey.
Sapphire Stars is a collection of poems devoted to love. Here, we uncover truth and passion when contradictions to both rush into the heart. “Illuminated,” “In the Distance,” “Unhindered,” and “Dark Blue Encore” are filled with lines passionately placed to reveal a journey of the heart. This collection is for the dreamers and the fire signs. It is for those who have loved with everything they have and lost, only to love again, because that’s what life is all about. Saxophones, Electric Guitars, Dark Blue Skies, and Sapphire Stars light up the heart in this collection. These poems are for the romantics and those who believe our lives are meant to be extraordinary and filled with a unique and grand purpose.
Finalist Poetry: Contemporary 2021 Best Book Awards
Finalist Poetry: Nature 2021 Best Book Awards
Kimberly Ann Priest's debut full-length collection Slaughter the One Bird is a haunting and incisive meditation on the enduring effects of childhood sexual abuse. Reflecting on the impact of trauma on her memories and role as a mother, Priest intertwines past and present in a series of lyrical confessions and meditations on power and grief. In poems addressed to the nameless "pedophile," as well as a series of vignettes on everyday life ranging from subjects as varied as the preparation of breakfast to the migration of deer, she deconstructs the history of abuse spanning from childhood to her adult life in which she finds herself trapped in a relationship with a violent partner. Religious legalism and shame play a strong role in the power dynamics between perpetrator and victim. Vivid and moving, these poems offer a highly personal glimpse into the poet's journey through disempowerment and grief toward healing.
"This is a joyous collection, taking joy in the sun on the Rhine and in the “big red table umbrella dripping down on all sides”; in “droplets of sweat slipping to the parched ground” and in ships sailing “like sugar cubes through molasses”; in a boy in a red Alpine hat and a grandfather with a mandolin. The poems travel through the Black Forest, but they also travel through four generations—generations who, in the poems of this book, are lovingly connected." —Janet Burroway, Pulitzer Prize Nominated Novelist, author of Imaginative Writing and Raw Silk
"If you want a rich taste of travel, an excursion into the Black Forest, a cruise down the Rhine, and can’t afford the ticket or the time, let Joe Carey guide you with his beautifully observed, loving travel poems to the places you might go if you could, in his Black Forest Dreams. The poems are wise, clear, and exhilarating." —Steve Katz, author of The Exaggerations of Peter Prince, Saw and Moving Parts
As is seen in Susan K. Hagen's first poem in Shall We Dance? she celebrates not only the natural world but a rare joy in being alive. Just as passion, desire and longing are poetic themes explored again and again in the poems of Mary Oliver, they live on in Hagen's work. And there is a vibrant reverence informing these poems: instead of "a strong wind" being "a cruel wind," it becomes "the kiss of the spirit." Gardens being her "Gethsemane," she brings her readers there for love, protection and ultimately for universal peace. The reader's answer to this poet's question raised in the title poem should be Yes, we will "waltz to the wind" like all the trees of the world.
Cynthia Linkas isn’t afraid to express the kind of happiness that would stun most of us into silence. At a daughter's wedding, she’s “remembering how many times we’ve tumbled oh, how we’ve tumbled / into a net so strong, /so tightly woven.”
Her love is deeply serious. Barn owls mate for life, and “when one mate dies, the other spins his head / around over his back and stops hunting.” And to her husband, she describes, “one skin stretched over two beings.” In her family life, and her music teaching, her religion of praise is grounded in the body: She sees the tall winter trees that surround her yard as “muscular, towering angels“ and an infant daughter as “soon to turn” a “strong yell/ into fiery song.” Linkas has music flowing in her veins, and reading these poems will make you braver about acknowledging the depth of your own joy. —Alan Feldman, winner of the 2016 Massachusetts Book Award for Poetry; Author of Immortality and The Golden Coin
America of We the People is a brave conservative statement of the country’s condition. We stand at the chasm between freedom and tyranny. As we struggle between independent capitalism and socialism, this inspirational patriotic book reinforces pride in the United States of America, the Constitution, and Judeo-Christian values.
America of We the People was awarded the Firebird Book Award for socio-political and political categories. It underscores the love of our great country through a collection of famous quotes, original poetry, short essays or musings, and Scriptural references. If you are looking to read short works of heartfelt poems, quotes, and essays valued by those who follow an American and Christian way of life, you will want this book.
Was it a chance meeting in the Daisy Cafe that brought Tyler Jemison and his boys into August Kibler’s life, or was it the mysterious workings of Tyler’s grandmother, Momma Daisy? In this companion book to the novel As the Daisies Bloom, August shares with Tyler a life’s thoughts on what he would call his tiny systematic theology.What might Eve say after millennia of being the first scapegoat? What might the first and last wives of the great king say to us if we read between the lines? How can we walk a bit with Joseph as he rides with Mary into Bethlehem? And what does Philip have to say to the black Eunuch, and to us about church membership?Journey with the author as he imagines what we might have overlooked in the Bible stories that we teach our children. He shows how reimagining these people in voices for our time can bring to life each of these important guides, who could never have imagined how they would shape 2,000 years of Christianity, and how they can still transform us.
A book of poems for young, urban, independent women in the making. A sketch of all the things they stand to encounter on their way to empowerment. The collective effort of a restless heart, a quick hand, and cold pizza at two in the morning.
SAVAGERY joins Mehta's oeuvre as a reflection of what it means to be indigenous in today's increasingly hostile, post-colonial America. Reflecting on self, place, and space and with strong confessional leanings, SAVAGERY joins the ranks of other much-needed indigenous poetry of the era to provide a lens (and mirror) into indigenous issues and disparities while also providing a constant offering of hope. These poems are raw and very, very necessary.
